Because book marketing should include schemes beyond techniques reserved for selling a box of cereal.
Monday, November 22, 2010
Yes, you do want to sell books.
Wednesday, November 3, 2010
Books in the Street
The Book Tent at the world-famous New Orleans Jazz Festival. At this week's NOLA Book Fair, readings in the street, a screening of the documentary about John Kennedy Toole at Snug Harbor, and author panel discussions at Three Muses. In many ways, NOLA native brothers Ronald and Bryan Williams, owners of music company Cash Money Records, and kingmaker of Lil Wayne, learned streetside the worth of selling books like music. Much has been made of lessons learned from the dramatic shifts in music promotion and sales as predictors for the book industry. Use more digital, expand to unconventional venues, reward your fans consistently....with one exception. As access to products collapse their profit potential, music acts can still make a moola by touring. Authors can't, for the most part.
Their first line of the Cash Money Records books suggest the Williams brothers strategy rests with impulse buying. Plus, their backing from Atria/Simon & Schuster should grant decent production oversight and distributorship. But much of their list -- Raw Law: An Urban Guide to Criminal Justice; Justify My Thug; and Pimp, a memoir by the late Iceberg Slim -- trend toward street lit, a successful genre, but not one that encourages fan loyalty. Mr. Obie Joe will be intrigued to see the pricing. Will fans be tempted to spend $10 on Raw Law, or put it to the $35 tour t-shirt?
Love this quote from Vernon Brown, the Williamses' attorney and business manager: "Our books will also be sold at our concerts. When you're out in front of 18,000 people, some will buy books, some not. But right now many of those fans aren't being told what books are great. We'll do that."
Told. Interesting verb. Not asked, not invited. Still, if they've got first dibs on Lil Wayne's post-Rikers memoir, our cash is ready.